OCT 19 2002
The thirty-year itch By Ong Soh Chin - A Straits Times Columnist
Two TV series from the 1970s now available on DVD are much more relevant to what's happening today than what you get on the idiot box these days.
THANKS to advances in home entertainment, I no longer have to be enslaved to what TV stations or cinemas think I should watch. In fact, I think a lot of stuff on English-language TV these days is mind-numbing drivel, but I never knew how bad it was until I chanced upon a DVD set of the first season episodes of The Mary Tyler Moore Show.
Now, my memories of that 1970s hit series are fuzzy and vague at best. I remember the bit in the opening credits where Mary twirls around the street and tosses her cap into the air, and I remember the catchy chorus of the show's theme song - 'You might just make it after aalllll.' But nothing more registered in my little child-like brain at the time.
Today, I am single and in my 30s, just like Mary in the show, so there is definitely more than a little resonance beyond the funky retro clothes. Mary has dating mishaps and struggles at making a career for herself. She has quirky friends and colleagues. In short, she is the 1970s version of Ally McBeal.
What a difference three decades have made to the single woman on American TV.
At the start of the show, Mary has just left her boyfriend of two years - because he refused to marry her - moved to a new town, found a job and an apartment. When her self-serving ex returns to try and patch things up, she turns him down, realising, in her new-found independence, that she would never be happy with him. As he leaves, he says gently: 'Take care of yourself.' Her bittersweet reply: 'I think I just did.'
That, in a nutshell, sums up the spirit of the show, which is probably why it became such a hit, running from 1970 to 1977. Here was a single woman who was independent, funny and sexy, who had great friends, an endearing relationship with her bristly boss and who wasn't neurotic. Plus, she also looked good in a mini skirt. She was certainly someone to aspire to.
On the other hand, Ally McBeal, today's 30-something female role model, spends her entire existence whining and fretting about men and visualising dancing babies. She is really nothing more than the sum of her mini skirts and her bargain-basement Hallmark musings.
Her colleagues and friends are equally annoying. Made up of a clutch of quirks and tics, they are merely strange and wacky ciphers written in to pad up a show that is already as shallow as Ally's push-up bra.
To prove my point, try to imagine any of the other characters in Ally McBeal with their own series. Quite impossible, simply because they have no depth and no history!
In contrast, the characters in The Mary Tyler Moore Show were so well-developed they spun off three series of their own - Lou Grant, Rhoda and Phyllis. While Phyllis bombed, Rhoda and Lou Grant were hits. The latter, especially, became a critics' favourite with its hard-hitting look at journalism.
What's the modern day equivalent? Just Shoot Me.
Another 1970s TV series I also picked up recently on DVD was the second season of Mash.
Set during the Korean War, it tells of the exploits of the Mobile Army Surgical Hospital (Mash) situated near the front. In Season Two alone, the series addressed issues like homosexuality, racism and the psychological stresses of war. All this while being a comedy.
Indeed, as the series progressed, it would take on more and more serious issues - all championing humanity and a pacifist point of view - even as it continued to provide sterling prime-time entertainment that had its fans all over the world glued to their TV sets.
Mash lasted a whopping 11 years based on this winning formula of goodwill, humour and damn good writing. It made a huge star of Alan Alda, who played Hawkeye Pierce, and it also went on to spawn another successful series, Trapper John, MD.
Today, apart from some programmes on cable networks, I can't think of a free-access primetime American TV series that addresses all these topics, let alone address them well.
Watching Mash now, as the prospect of an impending strike on Iraq hangs over the world, I can't help but feel how urgently relevant it is today, and how irrelevant today's primetime shows are to our lives.
We are not vampire slayers or secret agents, and surely we are more than a ragtag bunch of nobodies fighting one another for fame, fortune and survival on an island in Thailand.
And while this may sound like heresy to people who call the television the 'idiot box', we no longer have mass appeal TV shows that require us to think, question and strive for something - anything - good, fair and meaningful.
We are living in a perilous world where sanity and the sanctity of life are being questioned, where we look suspiciously upon those who are different from us and where the personal realm is in danger of being subsumed by the political.
And our forms of mass entertainment, sadly, seem to be doing nothing to address this creeping ignorance, paranoia and inertia.
Hawkeye said it best in an episode of Mash:
'I just don't know why they're shooting at us. All we want to do is bring them democracy and white bread. Transplant the American dream. Freedom, achievement, hyperacidity, affluence, flatulence, technology, tension, the inalienable right to an early coronary sitting at your desk while plotting to stab your boss in the back.
'That's entertainment.'
How true.